Anxiety Disorder Research Paper

Anxiety Disorder Research Paper Definition Anxiety is the uncomfortable feeling of dread that occurs in response to extreme or prolonged periods of stress (Smeltzer and Bare, 2000). It is commonly ranked as mild, moderate, severe, or panic. It is believed that a mild amount of anxiety is a normal part of the human being and that mild anxiety is necessary to change and develop new ways of coping with stress. Anxiety is a reaction to an internal threat, such as an unacceptable impulse or a repressed thought that is straining to reach a conscious level or a real, threatened, or imagined threat to the patient’s self-esteem. Overwhelming anxiety can result in a generalized anxiety disorder (GAD) uncontrollable, unrealistic worry that is persistent. Risk Factors/Incidence Onset is usually before age 20, and the patient usually has a history of childhood fears. It’s equally common in men and women. More than 80% of patients with GAD suffer from major depression, arrhythmias, or social phobia (Smeltzer and Bare, 2000). Physiological Process/Etiology of the Disease or Condition Anxiety can indicate a primary psychiatric condition, be related to a primary medical disease, or be related to a medication adverse effect. In GAD, an alteration in benzodiazepine receptor regulation is thought to occur (Smeltzer and Bare, 2000). Serotonin abnormalities also appear to play a part in anxiety (Smeltzer and Bare, 2000). Increased serotonin levels have been associated with obsessive compulsive disorders. Etiological Theories Psychoanalytical theory says that anxiety is a conflict between the id and the superego, which was repressed in early development but which emerges again in adulthood (Smeltzer and Bare, 2000). Biological theory looks at this situation differently. Biological theories consider the sympathoadrenal responses to stress and observe the blood vessels constrict because epinephrine and norepinephrine have been release (Smeltzer and Bare, 2000). Blood pressure rises. If the body adapts to the stress, hormone levels adjust to compensate for epinephrine-norepinephrine release, and the body functions return to homeostasis(Smeltzer and Bare, 2000). If the body does not adapt to the stress, the immune system is challenged, lymph nodes swell, and risk for physical illness increases (Smeltzer and Bare, 2000). Signs Symptoms The patient admits to worrying excessively about minor matters, with life-disturbing effects. Physical examination of the patient with GAD may reveal symptoms of muscle tension, including trembling, muscle aches and spasms, headaches, and an inability to relax. Autonomic signs and symptoms include shortness of breath, tachycardia, and sweating, and abdominal complaints are rare. The patient may startle easily and complain of feeling apprehensive, fearful, or angry and of having difficulty sleeping, eating, or concentrating. Other signs and symptoms may be a feeling of restlessness or feeling on edge, shaking, palpitations, dry mouth, nausea or vomiting, hot flashes, chills, polyuria, and difficulty swallowing. Diagostic Criteria When the patient’s symptoms match the following criteria documented in the DSM-IV, the diagnosis of GAD is confirmed: Â  The patient has an unrealistic or excessive anxiety and worry about two or more events or activities for 6 months, during which he has been bothered most days by these concerns. The patient finds it difficult to control the worry. The focus of the anxiety and worry doesn’t have the features of an Axis disorder. The disturbance doesn’t occur only during the course of a mood disorder, psychotic disorder, or pervasive development disorder; nor is it due to direct physiologic effects of a substance ( drug abuse or medication) or a general medical condition (such as hyperthyroidism). Anxiety and worry are linked with three or more of the following symptoms present over the past 6 months (only one is required in a child): -restlessness or feeling keyed up or on edge -being easily fatigued -difficulty concentrating or mind going blank -irritability -muscle tension -sleep disturbance. The anxiety, worry, or symptoms cause significant distress or impairment in social, occupational, or other important areas of functioning. Because anxiety is the central feature of other mental disorders, psychiatric evaluation is necessary to rule out phobias, obsessive-compulsive disorders, depression, and acute schizophrenia. Treatment Treatment is individualized for the patient and may include one or more of the following: psychopharmacology, individual psychotherapy, group therapy, systematic desensitization hypnosis, imagery, relaxation exercises, and biofeedback (Smeltzer and Bare, 2000). Drug treatment and psychotherapy is most effective in treating a patient with this disorder. Complete symptomatic relief is rare, however. The benzodiazepine antianxiety drugs relieve anxiety but should only be prescribed for 4 to 6 weeks because of the potential for abuse (Smeltzer and Bare, 2000). Buspirone, an antianxiety drug, causes less sedation and less risk of physical and psychological dependence than the benzodiazepine (Smeltzer and Bare, 2000). However, it takes several weeks to take effect. Psychotherapy can help the patient identify and deal with the cause of anxiety, anticipate his reactions, and plan effective response strategies to deal with the anxiety. The patient may learn relaxation techniques, such as deep breathing, progressive muscle relaxation, focused relaxation, and visualization (Smeltzer and Bare, 2000). Complications Anxiety can impair social or occupational functioning; effects can range from mild to severe and incapacitating. GAD patients often abuse substances. Alcohol or sedative and hypnotic abuse is common. Nursing Process Assessment: Head to toe nursing assessment to identify the signs and symptoms of the disease and potential presence of complications described above. Areas of focus: psychological status (on edge, easily startled, sad, fatigue easily, fearful, angry, mood, any changes in behavior, altered thought processes, including patient’s explanation of problem, onset, duration, participating events, past coping, present coping, insight, motivation to change, anxiety level (+1,+2,+3,+4),Current stressors, results of mental status examination, and personal abilities, talents, and strengths, ect.), nutritional status ( nausea, vomiting, intake, output, IBW, weight loss, weight gain, anorexia, ect.), immune status (fatigue, malaise, vague underlying complaints, delayed healing, ect.), respiratory status (vital signs, SOB, ect.), skin status (rash, lesions, ect.), cardiovascular status (tachycardia, palpitations, rapid pulse, ect.). History of panic symptoms (choking feeling in throat, hyperv entilation, light-headedness, dizziness, and other physical signs and symptoms of anxiety). Medication history (response, effectiveness, and adverse effects), sociologic status, including support systems, hobbies, interests, work history, family makeup, family roles, family coping mechanisms, lifestyle, ect. Problems: Anxiety related to unexpected panic attacks Decisional conflict (excessive worry) related to anxiety level Impaired social interaction related to embarrassment and shame associated with symptoms Altered thought process related to inability to function Interventions: Interventions include the assessments identified above and may also include the following: Establish relationship with unconditional positive regard and respect (Miller, 1992) Competently maintain universal precautions Maintain strict confidentiality Administer medications as prescribed by MD Refer to appropriate agencies (related to health, finances, support groups,, ect.) Active listening/allow time for expression of feelings (empowerment). Teaching (Medication actions and their adverse effects, relaxation techniques, ect.) Stay with patient when he is anxious, and encourage him to discuss his feelings, reduce environmental stimuli, and remain calm. Help patient develop effective coping mechanisms to manage his anxiety Suggest activities that distract patient from anxiety.

Aircraft Crash Survival Analysis and Design Essay Example for Free

Aircraft Crash Survival Analysis and Design Essay ? 1. Describe the effect plowing can have on crash forces when the impact surface is soft soil. Earth gouging and scooping of soil occur when the structure makes initial contact with the ground which minimize the acceleration and force levels to which the structure is subjected. Soft soil can cause plowing and rapid deceleration if there is a large horizontal velocity component. A high-speed longitudinal impact into water can also cause high loads from water plowing as water enters through lower nose transparencies. Reducing the earth scooping effects encountered in longitudinal impacts should include a large, relatively flat surface thereby increasing the aircraft’s tendency to slide over the impact terrain and by minimizing inward buckling of the fuselage nose or engine nacelle to maintain skid surface integrity. 2. Explain the term submarining in respect to the use of lap belt restraints. What human injuries may result? This is where the lap belt rides over the pelvic brim and compresses the soft tissues of the abdomen resulting in serious abdominal and spinal injuries. Submarining occurs due to the pelvis rotating under the lap belt, usually due to inappropriate location of the lap belt anchors or due to poor design of the seat bottom or a combination of both. Lap belt only restraints so commonly inflicted serious injuries on users in automobile crashes that the medical community coined a new term, â€Å"the seat belt syndrome†, to describe  the constellation of injuries caused by submarining under the lap belt. ftp://ftp.rta.nato.int/pubfulltext/RTO/EN/RTO-EN-HFM-113/EN-HFM-113-06.pdf 3. Discuss forward and rearward facing passenger seats and explain which you feel may be an advantage in crash survivability. The rearward-facing seat is optimal for providing maximum support and contact area in longitudinal impacts. The only critical impact sequence for the rearward-facing seat is one that involves a severe lateral component that allows sideward movement of the occupant prior to application of the longitudinal or vertical Pulse. However, lateral torso movement can be minimized by use of a torso restraint system of much lighter weight than that required for other seat orientations. The rearward-facing cabin seat is preferred. 4. Explain the concept and intention of Delethalization of Cockpit and Cabin Interiors. The delethalization of cockpit and cabin interiors is the design and set up of aircraft cockpits and cabins to prevent injury on impact. This is done by ensuring the occupant’s immediate environment be designed so that when the body parts do flail and contact rigid or semi-rigid structures, injury potential is minimized. This can be done in different manners. First is to relocate the hazardous structure or object out of the occupant’s reach or the hazard might be reduced by mounting the offending structure on frangible or energy-absorbing supports and applying a padding material to distribute the contact force over a larger area on the body member. The aircraft interior has occupant strike envelopes, meaning that there are hazards that are more conducive to occupant injury than others. Overall the intent is to protect the head and torso first to prevent debilitating injuries or death and then protecting the lower body parts to ensure the area hazards are clear of tripping hazards or anything that could prevent rapid escape. Typical contact hazards in the cockpit area include window and door frames, consoles, controls and control columns, seat backs,  electrical junction boxes, glare shields, and instrument panels. Contact hazards commonly found in aircraft cabin areas include window and door frames, seats, and fuselage structure. Use of suitable energy absorbing padding materials, frangible breakaway panels, smooth contoured surfaces, or ductile materials in the typical hazard areas mentioned is recommended to reduce the injury potential of occupied areas. The use of protective helmets is also recommended in certain types of aircraft. 5. Explain the expected advantage frangible fuel system attachments can provide as an aircraft post-crash survival technique. Frangible Attachment- An attachment possessing a part that is designed to fail at a predetermined location and/or load. Frangible structures or frangible bolts should be used at all attachment points between fuel tanks and aircraft structure to prevent fuel tank components from being torn out of the tank wall during impact. Frangible attachments should be used at other points in the flammable fluid systems where aircraft structural deformation could lead to flammable fluid leakage. This increases the survivability by containing any remaining fuel to the tank its encapsulated within and reducing the chance of a fire being spread throughout a crash site or into the cabin. 6. What are some of the key concerns when selecting aircraft interior materials form a crash survivability perspective? All aircraft interior materials such as seat fabrics and cushions, interior wall insulations, and nonmetallic structural components must be flame resistant and produce the least amount of smoke and toxic gases possible. 7. Describe some of the key points of post-crash design criteria associated with oil and hydraulic systems. Oil and hydraulic fluids are easily ignited and can serve as ready ignition sources for fuel meaning fluid spillage should be prevented. Oil tanks and  hydraulic reservoirs should not be located where spilled or sprayed fluid can readily be ingested into the engine or ignited by the engine exhaust. Oil tanks and hydraulic reservoirs should not be located near the bottom of the fuselage, in or above engine compartments, in electrical compartments, in occupiable areas under, in front of, or at the side of heavy masses, such as engines and transmissions, nor above landing gears Oil and hydraulic lines should consist of flexible hoses with steel-braided outer sheaths and for high-temperature; coiled metal tubing should be used. Lines should not be routed, near the bottom of the fuselage, over landing gears, under, in front of, or at the sides of heavy masses, such as engines and transmissions, in the leading edges of wings, in areas of anticipated rotor blade impact, in any area where flammable fluids could be spilled or sprayed onto hot surfaces or ingested into the engine or above electrical wiring 8. Considering aircraft electrical system post-crash survivability design, what are the guidelines concerning routing electrical wires in the vicinity of flammable fluid lines? Wiring is a prime ignition source for leaking oil, fuel or hydraulic fluid leaks or vapors. To aid in crash survivability wires should be routed above or away from flammable fluid lines and they should never be closely spaced between outer skin and fuel lines. Wires must not be routed near flammable fluid tanks unless the wires are shrouded to prevent arcing. Wires should not be routed near the bottom of the fuselage, over landing gears or in the leading edges of wings. 9. What G forces are experienced if an aircraft impacts the ground at a speed of 120 MPH and skids along the ground 50 feet before coming to rest? 9.8 G’s. 120^2/50 = 14400/50=288288x.034=9.79 10. Explain why you believe passenger airlines do not have to utilize passenger shoulder harnesses as a crash survival precaution. The passenger shoulder harness is not used for crash survival because: *  The cost of the harnesses for one would be huge to retrofit all the airliners in the fleet today and that cost would be put onto the customer. * The need for various sizes; very small through very large would result in further cost. * Comfort, if people are not comfortable then they will not have a good flying experience while others may have a fear or feeling that they are trapped. * The ability to understand how to use the shoulder harness. Most cannot figure out how to wear the harness which would delay taxiing and flight times. The required ability to quickly restrap in bad weather or to unstrap in an egress situation could be deadly. * Americans don’t like to be told what they have to do†¦.they are the paying customer. Aircraft Crash Survival Analysis and Design. (2016, Oct 19).

Portfolio Report Research Paper Example | Topics and Well Written Essays - 1000 words

Portfolio Report - Research Paper Example The average return of M&S is 2.53% which is greater than Next which only has 1.61%, this means that there is greater return on investment on M&S than Next. The correlation of returns of 53.08% indicated that there is positive relationship between the two shares. Portfolio A's variance are very low, with 0.68% to Next and 0.95% to M&S, which means that there are lesser failure in achieving greater returns from these shares. The scatter diagram and the line graph clearly depicted the close relationship between the two shares. Given that they came from the same sector, the risk and the return for investment are somewhat the same. Table 2 present the important indicators of Thomas Cook and Alliance Trust. Indicators include Average return, variance of returns, standard deviation of returns, covariance of returns and correlation returns. The average return of Thomas Cook is 50.45% which is greater than Alliance Trust which only has 22.16%, this means that there is greater return on investment on M&S than Next. The correlation of returns of -3.10%, which indicates that there is negatively low relationship between the two shares. Portfolio B's variance are very high, with 927.32 % to Thomas Cook and 160.42% to Alliance Trust, which means that there are greater risk of failure in achieving greater returns from these shares. The scatter diagram and the line graph clearly depicted tha... The correlation of returns of -3.10%, which indicates that there is negatively low relationship between the two shares. Portfolio B's variance are very high, with 927.32 % to Thomas Cook and 160.42% to Alliance Trust, which means that there are greater risk of failure in achieving greater returns from these shares. The scatter diagram and the line graph clearly depicted that there is no relationship between the two shares. Given that they came from different sector, the risk and the return for investment are not the same. III. CONCLUSION AND RECOMMENDATION The concept of diversification in investing was done in this paper, with the aim of selecting a collection of investment assets that has collectively lower risk than any individual asset. This is possible, in theory, because different types of assets often change in value in opposite ways. For example, when the prices in the stock market fall, the prices in the bond market often increase, and vice versa. A collection of both types of assets can therefore have lower overall risk than either individually. The results indicated that the investor should invest in Portfolio A, since it yielded a positive correlation of return and less variance. Portfolio A has maximized the return and minimized risk, which made it the best

Broadcast TV Show - Family Guy Research Paper Example | Topics and Well Written Essays - 1000 words

Broadcast TV Show - Family Guy - Research Paper Example Family Guy, for example, is an animated evening sitcom broadcast by the FOX network that celebrates the dysfunction of the American family but attempts to encourage more critical thinking in social commentary. Generally, Family Guy presents the different adventures of an average American family that includes the four major roles within the dysfunctional family. The Griffin family consists of the overweight, mentally disadvantaged father Peter, his fallen debutante wife Lois, their oldest son Chris, daughter Meg, infant son Stewie, and anthropomorphic pet dog Brian. Chris is almost as stupid as his father, but he takes on the role of the caretaker, "the families social director or clown, diverting the familys attention from pain and anger" (Burney, 2008). Meg is the scapegoat, seen as the unathletic, not necessarily intellectual, slightly overweight, highly insecure, unpopular girl. Stewie is the genius of the family and is set up for the family hero role. Although hes an infant that no one else in the family seems to understand, he constantly comes up with new inventions and ideas of how to eliminate his mother or to rule the world. His plans are sometimes stopped, sometimes joined, by Br ian, the other intellectual member of the family and takes on the role of the lost child. Where Stewies motivations are generally childishly selfish, Brian has a more mature outlook and attempts to add reason back into the conversations. Unlike Stewie, Brian can be understood by the family. It is thought these types of shows are entertaining because they help us feel better about ourselves or our own dysfunctional families. "All families have challenges and problems and sometimes very serious ones. And somehow, when we see them on film, I guess it somehow expiates our own troubles" (Shapiro, 2008). To understand how the show both celebrates American dysfunction and attempts to encourage critical thought within social commentary, it is

Analyzing Spartacus Post Traumatic Stress Disorder Essay -- Post-trau

The character I have chosen to analyze having post traumatic stress disorder is Spartacus, who is played by Andy Whitfield on the hit series Spartacus Blood and Sand on Starz. Spartacus Blood and Sand is directed by Grady Hall and Rick Jacobson. Spartacus is a Thracian solider who was punished for his betrayal against the Roman Commander Legatus Claudius Glaber, played by Craig Parker. Spartacus was to be executed in the gladiatorial games and his wife Sura, played by Erin Cummings, was to be sold as a slave. However, Spartacus successfully defended his life by killing four-top notched gladiators in the arena. After his victory he was bought by Baticitus, played by John Hannah. Spartacus was to be a slave trained to be a gladiator in Baticitus’ ludus. When Spartacus began bringing great fortune from his winnings and social advancement to Baticitus’ ludus, he was promised to be reunited with his wife, Sura. After Spartacus became champion of Capua and being undef eated, he came to the realization that Baticitus was not going to keep his promise of reuniting him with his wife because too many victories had passed. Spartacus later found out in a recurrent flashback and current images that Baticitus had Spartacus’ wife Sura, killed. An analysis of Spartacus’ behavior of nightmares, insomnia, and haunting memories reveals that Spartacus has post traumatic stress disorder. The first behavior which proves Spartacus has post traumatic stress disorder is the nightmare of not being reunited with his wife. Most of his nightmares were of his wife being by his side during these trials and she would give him advice on how to survive and them being reunited again. His nightmares seemed to be prophesy or warnings of what would happen ... ... have a person feeling so overwhelmed, burnout, and overworked that they will â€Æ' PSTD treatments range from intricate psychobiologic features make therapy difficult. The three arms of treatment are patient education, pharmacotherapy and psychotherapy (Cabaltica, 2000). Pharmacotherapy and psychotherapy have been shown to alleviate the three clusters of PTSD symptoms: reexperiencing, avoidance and hypervigilance (Cabaltica, 2000). Works Cited Cabaltica, R, Lange C, Lange J. AAFP.org. American Academy of Family Physicians. September 1, 2000. Mayo Clinic Staff. Mayo Clinic.com. Mayo Foundation for Medical Education and Research. April 10, 2009. Myers David. Exploring Psychology 7th Edition. Worth, 2008. Print

In Latin and other languages, Fluxus literally means flow and change Essay

In Latin and other languages, â€Å"Fluxus† literally means â€Å"flow† and â€Å"change.† Similarly, the related English word â€Å"flux† is used variously to mean â€Å"a state of continuous change†,†a fusion.† Fluxus ideas were prevalent well before the 1960’s, growing with the idea of intermedia, but first summarised, exemplified and presented in a festival jointly organised by the German, Joseph Beuys, and Lithuanian-born architect and designer, George Maciunas. It was Maciunas’ desire to show the work of a specific group of people, sharing the same thoughts on art at the time and it was he who coined the name Fluxus. The Fluxus performance festival held at the Dà ¯Ã‚ ¿Ã‚ ½sseldorf Art Academy on 2-3 February 1962 was a significant historical marker in the early development of the Fluxus group. Numerous Fluxus and Fluxus-type festivals and activities continued to be presented in Europe throughout the 1960’s after which the focus shifted to New York. Fluxus has been described as â€Å"the most radical and experimental art movement of the sixties.† Fluxus differs from most art in being purely conceptual. Characterized by a strongly Dadaist attitude, Fluxus promoted artistic experimentation mixed with social and political activism, an often celebrated anarchistic change. Although Germany was its principal location, Fluxus was an international avant-garde movement, active in major Dutch, English, French, Swedish, and American cities. Its participants were a divergent group of individualists whose most common theme was their delight in spontaneity and humour. Fluxus members avoided any limiting art theories, and spurned pure aesthetic objectives, producing such mixed-media works as poems, mail art, silent orchestras, and collages of such readily available materials such as scavenged posters, newspapers, and other ephemera. Their activities resulted in many events or situations, often called ‘Actions’ or as known in the USA, ‘Happenings’, which were works challenging definitions of art as focused on objects. Street theatre was very popular as were other performances such as concerts of electronic music. An account given by the American Fluxartist Dick Higgins described the sort of happening you would expect at one of his Fluxconcerts. This particular description is from the concert at Dà ¯Ã‚ ¿Ã‚ ½sseldorf and it had become a kind of set piece for these festival performances. Higgins described his arrangement, Constellation No 4 as follows: â€Å"Each performer chooses a sound to be produced on any instrument available to him, including the voice. The sound is to have a clearly defined percussive attack and a delay which is no longer than a second. Words, crackling and rustling sounds, are excluded because they have multiple attacks and decays†¦Each performer produces his sound as efficiently as possible, almost simultaneously with the other performers sounds. As soon as the last decay has died away, the piece is over.† A person, who attends a Fluxconcert, after the first shock, typically gets caught up in the spirit of it and begins to enjoy it, without consciously knowing why. What the recipient sees is coloured by his or her perception of it and instinctively he or she is matching horizons, comparing expectations, participating in the process; the more actively he or she does so, the more likely they will be able to enjoy the experience. In 1981 Dick Higgins Wrote a list of nine criteria that he suggested central to Fluxus: 1. internationalism 2. experimentalism and iconoclasm 3. intermedia (a term employed by Dick Higgins to describe an art form appropriate to people who say there are no boundaries between art and life) 4. minimalism or concentration 5. an attempted resolution of the art/life dichotomy 6. implicativeness (an ideal Fluxus work that implies many more works) 7. play or gags 8. epehmerality 9. specificity (work to be specific, self-contained and to embody all its own parts) Clearly not every work is likely to reflect all nine of these characteristics or criteria, but the more of them a work reflects, the more typically and characteristically Fluxus it is. Similarly not every work by a Fluxartist is a Fluxwork; typically Fluxartists do other sorts of work as well. The group pioneered these ideas at a time when their thoughts and practices in the world around them were distinct from the art world and different from the world of other disciplines in which Fluxus, would come to play a role. Like Duchamp, many Fluxus pieces (most notably the performance ones), are often characterised by their taking of a very ordinary event from daily life, and their being framed as art by being presented on stage as a performance situation. A collection of Fluxus works will inevitably include some pieces which are untransformed from life. Their significance is their ability to transform viewers’ horizons. According to Joseph Beuys, Fluxus intended to â€Å"purge the world of bourgeois sickness . . . of dead art,† to â€Å"promote a revolutionary flood and tide in art, anti-art, promote non art reality . . .† and to â€Å"fuse the cadres of cultural, social, and political revolutionaries into a united front and action.† I was particularly interested in the work of Joseph Beuys on view at the Tate Modern. He was a shaman, showman, teacher and tireless debater. He used the detritus of daily life in his work; materials representing energy such as fat, felt, wax, honey, and copper, iron, bronze and batteries. His use of felt and fat in particular relates back to his near death experience in World War II when he used the two materials to keep him warm. *Show Pictures* Most of his pieces have changed through time, relying as they do on materials that decay, ferment, dry up, or change colour. â€Å"Since life is in a constant state of flux,† he reasoned, â€Å"art, in order to bring itself closer to life, must be similarly ephemeral.† It was thus, in change, that Beuys sought to bring about the ultimate unity between art and life. Many of the Fluxartists were poor and could not afford to work with fine and costly materials. The sense that if Fluxus were to incorporate some element of ongoing change – flux -that the individual works should change. Many objects therefore were made of ephemeral materials, so that as time went by the work would either disappear or would physically alter itself. A work such as this made a strong statement rather than a work that would last throughout the ages in some treasure vault. Many of the Fluxartists work, such as Robert Fillous’s works have disappeared into thin air. A good example of this is the work we looked at in the lecture last week entitled ‘The artists breath’ by Yves Klein. George Maciunas planned to create a Fluxus Board of Directors which he would head from the Headquarters in New York. Maciunas wrote a letter to Thomas Schmit, in the form of a Fluxus manifesto, as which it is often referred. He stated that: * Fluxus objectives are social and not aesthetic * The gradual elimination of fine arts (music, theatre, poetry, fiction, painting, sculpture, etc.) was motivated by the desire to stop the waste of material and human resources and divert it to socially constructive ends such as: Industrial design, journalism, architecture, engineering, graphic-typographic arts, printing etc. * The movement was against the art-object as non-functional commodity to be sold and to make a livelihood for an artist. * It could have the function of teaching people the needlessness of art. Therefore teaching that a work should not be permanent * Fluxus is therefore anti-professional * Against art as a medium or vehicle promoting artists ego. * Applied art should express the objective problem to be solved not by the artist’s personality or ego. * Fluxus art should tend towards the collective spirit, anonymity and anti-individualism * Fluxus concerts and publications are at best transitional and temporary until such time that artists find other employment. Maciunas states that it is of utmost importance that the artist finds a profession from which he can make a living. * He says that there is no such thing as a professional revolutionary. Revolution is for participation of all and that a revolutionary should not practice something he is trying to overthrow or even worse, making a living from it, and that the best revolutionaries practice what they preach. * Fluxartists should not make a living from their Fluxus activities but find a profession (like applied arts) by which he would do best Fluxus activity. * The best Fluxus composition is a most non-personal, ready-made one. * Fluxus way of life is 9am to 5pm working socially constructive and useful work – earning your own living, 5pm to 10pm spending time on propagandizing your way of life among other idle artists and collectors and fighting them, 12pm to 8am sleeping (8 hours is enough) * You cannot live off your family because then you are being just as parasitic as artists living off the society, without contributing anything constructive. Maciunas also calls the need for copyright arrangements. * Authorship of pieces would eventually be destroyed, making them totally anonymous – thus eliminating the artist’s ego. The author would be Fluxus. Maciunas says â€Å"We can’t depend on each artist to destroy his ego. The copyright arrangement will eventually force him to it if he is reluctant.† May I also add at this point, Robert. C .Morgan, art critic, writer, artist and poet says that ‘By creating the absence of authorship, Fluxus has revived itself as a significant tendency in recent art.’ However, no one really wanted to sign the manifesto set out by Maciunas. Dick Higgins says that ‘We did not want to confine tomorrow’s possibilities by what we today. That manifesto is Maciunas’ manifesto, not a manifesto of Fluxus.’ George Brecht notes that: â€Å"Fluxus encompasses opposites.† â€Å"Consider opposing it, supporting it, ignoring it, changing your mind.† Clearly, with Fluxus, normal theoretical positions do not apply. They are not intended to do the same things as say a Jackson Pollock painting. It does not mimic nature in any narrative way. It does not attempt to move the listener, viewer or reader emotionally or intellectually. The Fluxartist does not even begin to reveal him-or herself through the work. The reception of Fluxus, its popularity, influence and in general, its acceptance, varies considerably. A Fluxperformance or an exhibition of Fluxus works attended by a person uneducated about the Fluxus field is apt to having an interesting and pleasurable experience. For most avant-guard art, one needs to know quite a considerable amount of art history in order to get ones bearings enough to be able to fuse one’s bearings and horizons and experience pleasure. There is a progressive intellectualism of the audience, thus more ideas of what will, or should happen. The spectators of a Fluxwork have to learn that these ideas are not under attack and that they are simply irrelevant to the work at hand. There are two bodies of people whose hostility towards Fluxus is profound. These are: 1. Groups of art professionals who work in art institutions and galleries. Fluxworks do not lend themselves easily to becoming precious objects which are sold or beautiful fetishes to immortalize the donor. It has more the quality of a souvenir or a sacred relic than or an exquisitely wrought product of fine craftsmanship. 2. Secondly, it is the artists who are ‘good’ in whatever it is that they do, but who are not good enough to be really secure in it.Such artists feel threatened by Fluxus. Victor Cousin’s phrase of 1816 says of art: ‘It is done for the love of it -‘for its own sake’. The Fluxus Collective believed that if value came to be attached to the work then great! But the work must be un-commercial in its very nature. -Conclusion- Fluxus is more important as an idea and a potential for social change than as a specific group of people or collection of objects, action and life activity. Fluxus tried to eclectically organise itself around the advantages of existing strategies at the same time that it attempted to avoid their abuses. Fluxus was committed to social purpose but opposed the authoritarian means by which it was historically achieved. Today, it is clear that the radical contribution Fluxus made to art was to suggest that there is no boundary to be erased between art and life. The Fluxus movement does not present correct political or social views – all the elements behave democratically. Not one piece dominates another. The movement sees a world inhabited by individuals of equal worth and value. By chance, this movement entered the scene, and changed the worldwide view previously held. For a group of artists who sought the reunification of art & life, the current institutionalization of Fluxus is paradoxical, yet the subversive nature of their project; the challenge to hierarchy and authoritarianism, still persists today

Persuasive Essay On Animal Poaching - 934 Words

Think of the last time you saw a tiger rug or an ivory figurine, even on television. This is a cause of illegal behavior that is called poaching. The United States is among the largest consumers of ivory, according to Jani Actman. Even though ivory is at an almost total ban in the United States people are still purchasing these accessories. In the advertisement the creator used transfer method to make the person seeing this advertisement more aware of what is happening, most people dont understand how big of a problem poaching and the black market for illegal animal accessories actually is. Poaching has been a problem for a very long time. Elephants, rhinos, and tigers are among the animals that are being impacted the most by poaching.†¦show more content†¦The cost of ivory is currently at $1,500 per pound so when a tusk can weigh up to 100 pounds this is a very profitable business for the poachers especially if they dont get caught. Although a lot of these things are being sought out they are being used for different reasons. Rhino horns in Vietnam are thought to be a aphrodisiac and even thought to cure cancer, even though this is proven to be wrong. But the biggest use of these things are decoration. A elephant trunk is used to make ivory figurines which it is hard to believe that they are killing endangered animals just for the purpose of making a figurine. By looking at this advertisement you can obviously tell that the creator is against poaching. He or she made it so it will alert more people about the problem with poaching. She made it so more people are aware and might even take an action against it. Another reason why the creator made the advertisement, is because it shows you what happens to the animals just to make a rug or coat. It makes it look like the people buying the accessories are just as bad as the Slate 3 people killing the animals since they are fueling the fire that makes the poaching business so profitable. The creator of this advertisement has created a very good and graphic advertisement explaining these past facts and points. He made it like this so it would catch more peoples attention like it did mine. With the heads cut off and allShow MoreRelatedPrevention Persuasive Essay : Cancer Prevention941 Words   |  4 PagesAllie Cormier 01/30/2015 Dr. Green Biology B Cancer Prevention Persuasive Essay Everyday, an abundance of people ask what they can do to prevent themselves from especially getting cancer. Cancer, very similar to the steps of mitosis, occurs when cells divide uncontrollably. It starts by how a cell or a group of cells doesn’t follow the body’s typical growth controls. Cancer is hard to detect in the early stages due to the fact that it produces very few symptoms. Many rumors go around about what